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I can’t believe I’m going to do this but I can’t help myself. I reach up and bring her face close to mine. Our lips meet and we kiss. Her full lips are like nothing I’ve ever kissed; soft like pillows and yielding to my every movement, her mouth in complete unison with my own. My hands pull her closer as my sensory perception explodes with desire. My own hands slide up both sides of her body, feeling her dark brown nipples brushing against my own, sending ripples of arousal directly to my aching groin. Within moments my hands have found her breasts and I’m feeling for the very first time what it’s like to be massaging the firmness of another woman. I feel how soft her nipples are beneath my touch, feel an overwhelming desire to take one into my mouth. God, how I want to feel those dark and hardened nipples deep within my mouth, feel my tongue run over the tiny bumps of the soft brown disks. I take one in my mouth and hear you gasp with excitement. I raise my head very slowly,. We returned in time for the service, which proceeded along the lines of a standard Matins service, albeit with additional hymns and prayers specific to the Lamentations. As the service progressed, the hymns became more and more mournful and melancholic, culminating with the choir gathering around the symbolic tomb to sing the first ‘Stasis’ of Lamentations, which represented the mourning of the women who had accompanied Jesus during his ministry.The second ‘Stasis’ was equally mournful, though in the last verse, there was a hint at things to come.It is meet to magnify Thee, the Giver of Life,Who didst extend Thine arms upon the Cross,And didst shatter the power of the enemy.The melody for the third and final ‘Stasis’ changed both tone and tempo, beginning with a statement of purpose:All generationsOffer adorationTo Thy burial O Christ.Near the end of the hymn, Father Basil began sprinkling rose water from his aspergillum, both on the ‘tomb’ and on the people, while the choir sang,.
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